Hook
The move at full speed, so you know where you are going.
In production
The course
Not filmed yet. This is the honest version of what it will be.
Why it is built this way
Most class videos show you a pattern
A phone at the back of a room records the shape. Not what the connection is doing.
| Aspect | A pattern video | A K United episode |
|---|---|---|
| What you see | The shape, one angle, once. | Wide, close, and from inside the couple. |
| What you are told | The count and the footwork. | The principle, then who is responsible for what. |
| What you keep | A move you can copy for a week. | A rule that works on moves nobody showed you. |
| Who it serves | The lead, mostly. | Both roles, named separately. |
Episode anatomy
Seven stages, same order, every time
Five to eight minutes. Six is the target.
Full demonstration
Danced through once, uncut, at social tempo.
Principle
The one idea, stated plainly before any breakdown.
Multi-angle breakdown
The same seconds from wide, close and inside.
Partner responsibilities
What the lead owns and what the follow owns, named separately.
Guided repetition
Reps at tempo with cues, so it reaches the body.
Final integration
The move put back into dancing, not the drill.
How it is filmed
Three cameras, one couple
Each position is there because it shows something the others cannot.
Wide
The whole couple in the room. Travel, floor use, direction.
Detail
Feet, hands, frame. The placements that decide comfort.
Point of view
What a partner sees and feels, from inside the couple.
Point of view is a teaching tool, not a gimmick. It is used only where it shows something an external camera cannot.
The four tracks
What is documented, and what is planned
Only Konpa has its episodes written. Nothing here is listed as ready when it is not.
Konpa
Episodes documentedClose, steady and musical. Small movement, honest timing, no need for speed.
- Pas de BaseThe base step. Where the weight sits, and how two people agree on the count.
- GuyadThe body movement that gives Konpa its character, isolated then put back in.
- Deplacement / WalkTravelling together, holding the same connection once you stop standing still.
- Rotation / PivotTurning without losing the frame, and how the axis is shared.
- Cadence Change / PauseHolding, delaying and resolving, so a pause reads as a choice.
Kizomba
PlannedThe foundation. Walking, weight transfer, and a connection calm enough to build on.
Planned track. Episode titles are not announced until the track is filmed.
Urban Kiz
PlannedDirection and precision. Clean lines, deliberate pauses, steps placed exactly.
Planned track. Episode titles are not announced until the track is filmed.
Semba
PlannedBounce and momentum. Playing with timing without breaking the connection.
Planned track. Episode titles are not announced until the track is filmed.
Who teaches it
Chamalo, with Jalyssa and T-zer
Chamalo teaches the course. Jalyssa and T-zer dance the material with him, so both roles are shown by someone who actually dances them. Which artist appears in which module is not decided yet.
Waitlist
No price set, no date announced. Tell us which tracks matter to you.